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THE EVOLUTION OF MUSICAL PEDAGOGY OF THE KARAKALPAK PEOPLE OF THE HISTORIAN-THEORETICAL ASPECTS

THE EVOLUTION OF MUSICAL PEDAGOGY OF THE KARAKALPAK PEOPLE OF THE HISTORIAN-THEORETICAL ASPECTS

  • Author: I. J. Moyanov
  • Language: ingliz tilida
  • Writing: ingliz yozuvida
  • Publisher: Karakalpak State University
  • Year: 2010
  • Views: 112
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This article is devoted to the problem of studying the evolution of musical pedagogy of the Karakalpak people of the historian theoretical aspects. The art of human development is measured in a number of periods. And the heyday of ancient civilization refers to ancient Egypt. ancient Rome, ancient China, ancient India, ancient Babylon, ancient Khorezm. Monuments, cities, temples, and material culture as a whole have been preserved from these civilizations. This civilization has a beginning and an end. But there is another civilization that has come down to our days from the depths of centuries. This is a Karakalpak narrative art. This culture of Karakalpaks was highly developed precisely in the Middle Ages, the so-called time of the existence of the Golden Horde Empire. Such outstanding storytellers among Kazakhs, Karakalpaks entered the arena of the 12-14th century. They saved Sapyor Zhyrau, ShalkizZhyrau, DospambetZhyrau, KaztuganZhyyrau. In the narrative art of zhyrau, the main musical instrument was kobyz. The first musical instrument kobyz, is of Turkic origin. And the first to call this instrument kobyz was the storyteller Korkytata, whose unique guttural voice, thundered throughout the entire universe, was carefully conveyed to our days by the Karakalpakzhyrau.